...it’s disappointing that in a movie devoted to
explaining the abolition of slavery in the United States,
African-American characters do almost nothing but passively wait for
white men to liberate them. For some 30 years, historians have been
demonstrating that slaves were crucial agents in their emancipation;
however imperfectly, Ken Burns’s 1990 documentary “The Civil War”
brought aspects of that interpretation to the American public. Yet Mr.
Spielberg’s “Lincoln” gives us only faithful servants, patiently waiting
for the day of Jubilee.
This is not mere nit-picking. Mr. Spielberg’s “Lincoln” helps perpetuate
the notion that African Americans have offered little of substance to
their own liberation. While the film largely avoids the noxious
stereotypes of subservient African-Americans for which movies like “Gone
With the Wind” have become notorious, it reinforces, even if
inadvertently, the outdated assumption that white men are the primary
movers of history and the main sources of social progress.

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