Watch the entire movie below. If you don't have time, the first five minutes should give you a sense of what it is all about:
I have seen "A Thief in the Night" and its sequels several times over the years. As a young evangelical these movies scared me to death. The guy with the lamb chops who is secretly working UNITE is frightening.
As a divinity school student, I organized a "Thief in the Night" marathon in which we watched all three movies in the series. This viewing party could best be characterized as a mix of entertainment and theological reflection, but we also made fun of the 1970s evangelical subculture.
We have mentioned this film several times here at The Way of Improvement Leads Home. You can find those posts here and here and here.
And here is a taste of Turner's post:
My church — a Presbyterian Church (U.S.A.) congregation that straddled the worlds of evangelical and mainline Protestantism — did not screen the film when I was a teenager. We were encouraged to make a personal decision to follow Jesus Christ, but not because the world was about to end or because we might be left behind to suffer the assaults of Satan after the rapture. So while thousands or millions of American evangelical young people watched A Thief in the Night in the 1970s and 1980s (the film’s producer claims that in all, three hundred million people have seen the movie), I watched it for the first time this week.
Here are a few thoughts:
- Laugh and groan all you want. It’s no small accomplishment to make a $60,000 film and have millions of people see it. A Thief in the Night is certainly one of the very few most significant evangelical movies ever made. As Randall Balmer observes, “It is only a slight exaggeration to say that A Thief in the Night affected the evangelical film industry the way that sound or color affected Hollywood.”
- People make films for all sorts of reasons. The primary purpose of A Thief in the Night was evangelism, to persuade nominal Christians to make a heart-felt prayer asking Jesus to come into their hearts. What the film intended to do it apparently has done rather well. “I have found,” writes Heather Hendershot in her Shaking the World for Jesus, “that A Thief in the Night is the only evangelical film that viewers cite directly and repeatedly as provoking a conversion experience.” Many successful altar calls followed screenings of the film.
And let's not forget the movie score, "I Wish We'd All Been Ready," written and performed by Christian rock legend Larry Norman: